A friend and I spent two days in Rishikesh. Most people go to Rishikesh either for rafting or to visit the several temples in that city. It is also the launch point for treks into the Himalayas. I went for photography. I had done my trekking last year. Rishikesh does not have a railway station. I took the train up till Haridwar. I took the following photographs out of the window of the taxi. I was playing tourist. I would look out of the window and quickly snap the scene as long as it looked interesting. I was using the vOICe as usual. Interesting for me was any scene with a lot of shapes and plenty of light. I did not have time for analysis. I would glance out the window, bring my iPhone 5 to eye level and click. In some cases, I did take photographs at different angles. I did so in 2 cases. In the first case, if a scene was interesting I wanted to capture it at different aspects. If a scene was boring, that is, very few shapes, then I wanted to highlight a new dimension of that scene.
We stayed at a resort called the Glass House. It is a property with beautiful views. The trouble is that a lot of people come there and it is hard to get away from them as you will see in the photographs related to the Glass House.
Toward the lower right of the photo is the most recognizable of the vehicles. A white square built ambulance is struggling forward. The style of the frame of the cab is quite angular like a jeep or other work vehicle. A strong and reliable motor would be required for medical transport and equipment. Only a bit of the transport compartment behind the cab can be seen; just enough to notice the red strobe lights flashing across its upper edge.
The right front seat window can be clearly seen through the windshield. The occupant’s door is likely open so that the trained personnel could move through the stalled traffic to assist disfurnished commuters holding things up.
The image itself is a bit out of focus which adds to the feeling of powerlessness. In the left corner it appears that a tail assembly of another white car seems to be leaving the scene. Between the two vehicles there is some style of traffic cone, warning the already stopped cars to slow down presumably. Other indistinct signs in red and yellow identify curbside retail locations indistinctly.
The remainder of the “”tree house”” is the grey floor and a diagonal grey piece projecting up from the floor and ending a few feet above the floor on the right. There is a ray of sunshine coming through the tree. The entire scene gives the impression of a place that once had a more significant purpose and meaning. The man-made additions to the scene have faded in their appearance and their relevance, but the tree has grown to be mighty and majestic.”
Just close to us can be seen the roadside boundary markings, two stones painted white with a red streak running through the middle, looking similar to milestones. These mark the right hand side of the road proceeding towards the hairpin bend which is not visible; only a bit of the road further up is seen where the car is seen going uphill.
A single hardy tree is seen close to the boundary stone on the right edge of the picture. It is a medium sized tree only a bit thicker than the red and white stone near it. It has a straight trunk and only a few branches in the lower reaches whereas there are many short branches with dark green thick foliage on top. The tree top is silhouetted against a clear blue and white sky, a little further right of the outline of the mountain. It has a deep purplish blue hill as a backdrop too against the lower trunk. The blue hills are far away behind and to the right of the mountain. The road the car is proceeding along ends in another bend, rounding off that mountain, also to reveal the mountains behind, blue and far away.
The upper part of the photograph indicates that the snap has been taken in broad day light. The sky is entirely resplendent with the brightness of the day time sun. The sky is stylishly blue and is dotted with lovely wisps of white clouds that are floating effortlessly. Sky seems to be triangular shaped given that a full mountain valley, between the two mountains, is captured by the photograph. The snaps of valleys are panoramic because they reveal the entire landscape in one go and it is rather difficult to capture a whole valley view neatly. This snap is perfectly neat.
The middle part of the photograph covers two grand hills. Both hills are forested and are rich green in color due to the presence of several forest trees, plants and foliage. One hill is farther away from the view while the other is faced right to the eye of the camera. There are several lush green trees which are tall and healthy and one can see the entire side of one of the hills covered with grass.
The bottom part of the picture reveals a long and winding hill road with a moving vehicle on the far end of the road. At least one whole bend of this hill road is covered by this snap.
Starting in the lower left three very dark boulders lurk in a shadow. Although they are similar in size and shape one is unique. Along an upper edge of the one closest to the camera, some mineral has caught the golden sunlight and is sending it back into space. A narrow band of beach sand separates this triad from the rocks to its right.
Above these dark rocks is part of what is the largest boulder presented here. Its finish is quite smooth, like it had spent quite some time being polished and shaped in a fast moving river. It has no edges but the sunshine on the top reveals the layers and swirls that reveal this old rocks history to the viewer. It, too, has a sandy barrier visible around it.
Two medium sized boulders are centered next to it. The upper one is quite black and light absorbing while the lower one is a brighter brown well-worn down specimen. On the sand around these two are smaller rocks of different colors and shapes.
Just below the sandy right upper corner, there is a medium sized, light, smooth rock. Smoothed by water travel it is the rock that is nearest to white. Just to its lower left is the most unique of the collection. It is quite large, reflecting sun from its top. It’s totally waiting for its turn to run the rapids and get all its scoops and valleys polished off. Newly formed somehow, this craggy boulder displays its pits, crevasse and limestone origins for the camera to record.
What one finds most interesting are the imprints of the soles of different sized shoes or sandals seen in the soft sand. The imprints are there on the sand and on the stones. A little square rock completely covered in sand looks like a lovely, large sugar-dusted cookie; it has many of these feet showing people having stepped on it.
Note
I took the images showing rivers and boulders at the Glass House.
Thanks to Describe! a service run by Chris Nestrud for image descriptions.
Leave a Reply